Exhibited at The Substation Contemporary Art Prize 8 September to 8 October 2016

Naomi Nicholls’ paintings have left the canvas and escaped the frame. When these vast collaged installations are painted, the brush strokes require the whole body’s movement. The forms and route of the brush are based on the impulsive movements of the body. The completed artwork is evidence of this very physical process.

View documentation and deinstall video.